I've decided to start a foundation. It is called the Arty Feminist Needs Money to Buy Art Foundation. Yesterday during my whirlwind trip over to Edinburgh I was completely blown away by Francesca Woodman. The pictures in her monograph and on the internet just cannot do justice to them. I went to the Ingleby gallery which was showing 27 of her works selected by her estate to exhibit. The work selected represented her early period in Boulder Co (1972-75), her work at RISD (1975-77), Rome (1977-79) New York (1979 -80) and Mac Dowell Colony, Petersborough, New Hampshire (1980). I absolutely loved her self-deceit series in which Woodman photographing herself with a mirror in an old (abandoned?) building. The contrast between the smooth, shiny surface of the mirror and the gritty paint peeling concrete walls was beautiful. It probably didn't help that I had just finished Leo Bersani's Intimacies and was feeling pumped full of psychoanalysis. However I managed to make some notes based on the subject matter of the work rather than psychoanalysing it. The work was smaller than I imagined, with delicate details and haunting beauty. I left the show feeling that I had left a piece of myself behind. It did not help matters that the work was for sale. To own a Francesca Woodman... I can't even begin to describe what it would mean. I do not necessarily consider myself a 'collector' probably because I don't have money. But in the last two years I have managed to purchase a couple small works - an Alice Maher etching, a Renee Cox black and white photo. Last year my husband and I participated in the Spencer Tunick installation at the Dublin Docklands just because each participant receives a limited edition print. It is alway said you should buy what you love - and I love Woodman. In a moment of utter weakness I did call up my better half (wink wink)to see was there a way we could pool our collective 'resources'. I'm sure you can guess the answer. I also tried to convince my mother to front me the funds on the basis that it would form part of my 'inheritance'. Her answer, "No one has ever heard of this person." For now I will have to content myself with framing the small free postcard distributed from the gallery.
Aside from that longing in my heart that will never ever be filled by anything but a Francesca Woodman, my trip was very successful. I saw two very cool video works at the Collective Gallery by Jordan Baseman and Henna-Riikka Halonen. Both works centered around the Royal Commonwealth Pool in Edinburgh that is closing for refurbishment.
Then of course there was the Willie Doherty show at the Fruitmarket Gallery. A plane ticket well spent! Ghost Story (2007) and Buried (2009) were staged in two soundproof rooms downstairs while Re-Run (2002) was upstairs in a large room. Also accompanying this exhibition were several cibachrome photographs and b/w photographs. The two newer videos were simply amazing. I found both to be thought provoking. I think I am still on art overload so I haven't much coherent to say about that at the present.
I will leave you with this thought: maybe money can't buy happiness, but money can buy art and in my book art is happiness.
Contact me for donations (monetary or otherwise).